Upon A Burning Body Red White Green 320

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Sumerian Merch; The Kindred; The Faceless. Upon A Burning Body. Upon A Burning Body 'Red White Green' CD. Regular price $9.99. Weighing into the deathcore fray, San Antonio, Texas’ Upon A Burning Body are a cut above the soundalike bands glutting up the genre. This isn’t to say. Download mp3 UPON A BURNING BODY - RED. From MediaClub.Com.

Is a band that really makes its shout-outs to their home country. Forming in 2005 from San Antonio,, this rowdy quintet holds a high honor to not only their hometown and their Mexican heritage. It also speaks much of the gangster and crime drama films of the southwest, as heard in their previous record “ ” from 2009. Such songs include “Carlito’s Way” and “Donnie Brasco.” However, all of this should be the least of anyone’s reasons to truly admire this band and their works. They play brutal yet technical deathcore that even jaded listeners might be able to get into. In “,” the production was crisp, the musicianship was outstanding, and the deathcore sledging was very effective, even slipping in some melody into it, making the mix all the more intriguing. In short, started off on a strong step forward.

Upon A Burning Body Red White Green 320

Now they’ve returned in to bang heads and crash beers, with their sophomore full-length entitled “ ” A fittingly crazed sequel to their debut effort, “ ” is a strong record that balances on the line between brutality and melody greatly. Firstly, the musicianship still thrives throughout for this band in “ ” Danny Leal’s vocals always have had an incredible range, effortlessly expanding from low gutturals to mid-range and wicked high-pitch screams. In addition to that, there is a tad more clean singing in this record than the last, especially in the track “ Money.” It does really add to the melodic elements that “ ” has to offer, and it only helps the band in the end. Speaking of melody, the guitar work is also leaning more to that aspect. Ranging from deadly chugs to even heartfelt and melodic riffs, they also serve as a wonderful highlight for this album.

The drums are also still as versatile as they were in “,” and they’re quite technical and rapid, but solid enough to not sound like a jumble of random drum solos. Overall, the musicianship is just outstanding. The Complete Manual Of Suicide Ebook here.

However, the production of this record does sort of get in the way of letting the guitar work really shine, because at times, especially in some melodic parts, the guitars do sound a little too quiet, faded, and blended. Luckily this isn’t the case for the guitar solos, and while this is clearly a drawback for this record, it doesn’t stop “ ” from being an at least decent record.

One of the most remarkable traits of ’s music is its ability to deliver some brutal deathcore punches that almost never lose steam. This is well-presented in this album, one of the most prime examples being the second song “,” which ravages the listener’s eardrums throughout the track with bludgeoning breakdowns and rapid-fire metal blasts. It’s a little complex, but for the most part, it’s an incredibly rowdy track that especially pit moshers will take pleasure in greatly. Another track with such versatile abrasiveness is “Predator,” which features Johnny Plague from famed symphonic deathcore act. The guitar work is really at work in this track, and the music alone just slams your head against the table multiple times. The only exception from this song’s unrelenting attack is the very end, where it fades into a brief acoustic guitar plucking, but the melodies the guitars induce in “Predator” allow that small segment to fit the end of the track. “From till,” featuring Nate Johnson of deathcore band, also delivers an unbelievably heavier feel to the previously mentioned songs.